I was running out of room on my work table for the tiny oil paintings I’ve been making, so I started hanging some of them up. It turns out that tiny paintings are great for making a little gallery wall!
more tiny oil paintings
I know I said I wanted to work bigger, but now that I started making these tiny oil paintings, I can’t stop!
I’m letting the work speak
I did this grouping of watercolors last week, before I started painting in oils and before I got that big print made. Yet for some reason, I’ve been hesitating to share this grouping on my blog.
one more painting in my studio
After sharing how I was moving paintings around in the current studio, I came across another painting that worked perfectly in the blank space on the back wall.
So here it is! One final painting added to my studio! (Well, at least until I tackle those blank walls I haven’t even shared yet!)
tiny oil paintings
I think I have creative ADD. Just a couple days after writing this post about scale (and how I wanted to work larger and on paper) and on the same day that Tara posted this thoughtful response to my question “can you be taken seriously as an artist if you only work in watercolor?” I decided to bust out my oil paints.
some thoughts on scale
I’ve been thinking a lot about scale lately, particularly in regards to painting. My current painting process of working with watercolor markers on paper seems to lend itself to a small scale, despite my attempts to work bigger.
And why have I wanted to work bigger?
more paintings in my studio
Since I shared one of the paintings in my studio, it seems only fair that I should take you on a visual tour of the others!
what I’m looking at: Matisse/Diebenkorn (and a few new watercolor sketches of my own)
Since I pulled out my watercolor markers again a few weeks ago, I’ve also found myself revisiting some of my favorite art books. (From some of my favorite art exhibitions.) And my current go-to for inspiration has been the exhibition catalog from the Matisse/Diebenkorn show that I saw two years ago.
Unfortunately, I didn’t find out about it in time to see it at the Baltimore Museum of Art (which is much closer to me) but I was going to be in San Francisco while it was up at SFMOMA, so I made it a point to clear out time in my travel schedule to see the show.
It definitely didn’t disappoint. I’ve seen a number of Matisse shows in the last handful of years, but this was the first time I really looked at Diebenkorn’s work. The show explored the ways that Diebenkorn was inspired by Matisse, but yet at the same time, Diebenkorn’s paintings have their own identity.
My favorite work of the entire show was the one above, called Coffee. I’m not exaggerating when I say it literally brought tears to my eyes.
Sadly, no photograph or reproduction does justice to the depth and soul this painting has in person. But still, I’m using it as a beacon as I think about the kinds of paintings I want to create. I know I have a long way to go, but I like that the idea of this painting gives me some kind of direction for my own.
Speaking of my own paintings, I’m still just doing some small works with watercolor markers. (Though I’m hoping to move into some bigger paintings on canvas this summer when I’m not so bogged down with jewelry orders.) I’ve been inspired by the silos I’ve seen doing lots of driving in the countryside where I live, but I’ve also been thinking about how those relate to some of the shapes I was drawn to last summer.
what I’m reading: How to Do Nothing
When I first came across How to Do Nothing: Resisting the Attention Economy, I thought it would be like Digital Minimalism, if that book had been written by a biracial woman artist. But How to Do Nothing is so much more nuanced and meandering (in a good way) than Digital Minimalism, probably because it was written by a biracial woman artist.
Rather than a call to quit social media or put down our phones, Jenny Odell instead implores us to shift our attention to the world around us. Drawing from sources in the arts, philosophy, and activism, this book isn’t so much a guide to decreasing our dependance on technology as it is a treatise on how to live in the world we currently inhabit.
the painting behind the plants
I realized that in sharing the plants in my studio, I’ve been sharing lots of glimpses of this painting, but since it brings me so much joy (seriously, I love having it in my studio) I thought it needed a blog post of it’s own! (Especially now that it hangs out with the chair from my MFA thesis.)
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