Yesterday I arrived in London, and today we went to the Museum of London. This gem of a museum tells the history of the city (starting from pre-history and heading up to the present day) through artifacts. While there, I became OBSESSED with the Pleasure Gardens, a room featuring fashion from the 18th century. I love seeing 18th century fashion in person (you can’t beat that kind of opulence) but what pushed this exhibition over the top was when I realized that the hair on all the mannequins was made of WIRE! 18th century fashion + beautiful forms in wire – I could have stayed there all day!
Pin Itthis made me squeal…
I’ve been invited to speak at Hello Craft’s Summit of Awesome in Baltimore this October. When I pulled up the speaker page today, imagine my delight to see my bio directly below keynote speaker (and Project Runway winner) Jay McCarroll!
A big shout out to the alphabet (and my family name) for making that happen. Now when people ask me why I didn’t change my name when I got married, I’ll just direct them to this moment.
no power? buy a party dress!
I found this adorable asymmetric dress at Banana Republic this weekend, which is available in black or pink. Sadly, I can’t seem to locate it in my size. (Size 6, in case you find it and would like to buy me a present.) Hopefully I can track one down, because it would be the perfect cure for my post-Irene, no power blahs.
If I had it, I would pair it with my Kathrine earrings and an armful of Mia and Grete bracelets.
carga: my new lifetime bag
While at New York Gift, I was lucky enough to be down the aisle from Carga, who makes the most beautiful bags from Argentina. I was even more lucky to leave the show with this gorgeous bag. As one of my other show neighbors put it, “It’s a lifetime bag.”
i believe
…that sometimes you have to do something spontaneous.
…that looking at art is just as important as making art.
…that some of the most beautiful things are also the most extreme.
On Friday, I hopped a bus to New York City to see the Alexander McQueen exhibit at the Met. It was everything I expected it to be and more.
Unfortunately, you couldn’t take pictures in the exhibit. Though understandable, this was particularly frustrating because I wanted to remember every little detail that I saw. It was like trying to keep water cupped in my hand – as more flowed in, more went out.
As is often the case with the Met, the exhibition design was outstanding. Each room was it’s own breathtaking experience. The accessories room in particular was impressive, though incredibly crowded. I elbowed my way to the front so I could look at each little detail.
I found myself standing in the last room for a very long time. This room featured pieces from McQueen’s Plato’s Atlantis collection, the last full collection completed before his death. The details in this collection where amazing, and I stood there transfixed, not wanting the experience to be over.
I bought the book of course, but it really doesn’t do the work, or the exhibit justice. I wish they had included images of the installation, which really makes the exhibition. You can view images (and a video) of the installation here, which give you a much better feel. But if you can, I highly recommend heading to New York before the exhibition closes.
orange coat
- « Previous Page
- 1
- …
- 37
- 38
- 39