Back in the day (as in, before Instagram) I used to blog more about the things going on in my life. I kind of miss it, because it gave me a record of what I was up to, both in the studio and outside of it. So I’m making this post simply to share that, at the beginning of September, I spent a lovely few days at my friend’s cabin in the woods in upstate New York.
The ways I see myself in Kamala Harris.
Note: I decided to use this pic of me wearing my burgundy stacking rings as a nod to the burgundy suit Kamala wore to accept the nomination.
I’ll admit it, I hadn’t really taken the time to learn Kamala Harris’ story until this week. I was team Elizabeth Warren during the primaries, and even after Harris was announced as Biden’s running mate, I was too busy luxuriating in my own smugness (I told a friend back in March that she would be Biden’s VP pick) to really take the time to learn about her. I knew the basic sound bites, of course. But at first, I didn’t take the time to dive deeper.
It was only upon realizing that I was following her niece, Meena, on Instagram that I began to dig into Kamala’s story. And the more I learned, the more I recognized the ways in which I see myself reflected in Kamala Harris in ways I have never seen in another political candidate.
Of course, much has been made about Kamala’s identities as a Black and South Asian woman, and rightly so. She represents people that have thus far not been able to see themselves in the positions of leadership that she has held, and the one she is vying to hold now, and that is incredibly valuable and important.
But these are not the only people Kamala represents. For as much as I supported Hillary (and so badly wanted her to win), even as a white woman, I see more of myself in Kamala than I ever did in Hillary.
For starters, like me, Kamala retained her last name after getting married. While the decision to keep my maiden name was natural to me, I’m still amazed at how uncommon this choice remains, particularly in heterosexual marriages. I can’t speak to exactly why Harris made that choice for herself, but to see a woman in this position who kept her own name speaks directly to my own choice.
Kamala also embodies the idea that not having biological children of your own does not preclude you from nurturing, or caring, or loving, or even mothering. Again, I cannot speak to her specific situation, but as someone who is child-free by choice, to see the relationship that Kamala has with her niece, her step-children, and I’m sure countless others younger than her, affirms what I’ve come to realize over the last number of years in my life – that nurturing and mothering happen in many forms, not just in the traditional role of mother, and that they are all necessary and valid.
And finally, Kamala and I share one more thread, one that I wouldn’t wish on anyone, but one that creates a bond with anyone else who’s experienced it. Like Kamala, I lost my mother to cancer. And, as I learned watching her nomination acceptance speech, I too was profoundly shaped by the mother I lost too soon. Kamala understands the pain of your mother not being here to see your greatest achievements unfold. She knows the ways in which every positive moment in your life and the lives of your family members is twinged by the heartache of loss. She knows, and I know this, because I know it too, what it feels like to be profoundly shaped by a woman in a way that leaves a huge mark, but also a huge hole, after that woman is gone.
That Kamala devoted so much of her speech to pay tribute to her mother speaks volumes about who she is and what she values.
Kamala Harris is a woman shaped by her mother who is rewriting the definition of what motherhood looks like.
She is a woman who is committed to family without sacrificing her own identity.
And she is a woman who understands how to channel loss into empathy and how to stand back up after despair.
I know she is not a perfect candidate, because there is no such thing, but too much attention has been paid to her faults, and not enough to her humanity. Too much attention has been paid to her history as a prosecutor, and not enough to her history as a woman, a daughter, an aunt, a step-mother, a person.
Over the last four years, we’ve seen what happens when we elect leaders who understand the political game, but don’t understand what it means to be human. We know what happens when we set humanity aside.
Learning Kamala’s story this week, and seeing the ways in which it reflects my own, is a reminder that if we want our leaders to govern with humanity, we need to look at them as whole humans. Yes, we can still hold them accountable for policy decisions, but we can’t set aside their experiences as real human beings.
Because ultimately, what we need in our leaders is the capacity to care, to listen, to understand, while at the same time, being unafraid to speak out and be who they truly are.
This is a lesson I learned from my own mother, and it’s one I now know Kamala Harris learned from hers as well.
on evolving my aesthetic and embracing pattern and color (again)
Somewhere in the evolution of my jewelry brand, people started thinking of me as a minimalist. Not in the throw away all your stuff sense (because we all know THAT will never happen) but in the design sense of the word. Paired down. Simple. Clean lines. Not a lot of excess. Mostly black white and grey. Etc, etc.
Which is pretty ironic for a girl whose MFA thesis explored floral patterned textiles in the domestic interior.
#metalsmithproblems and aloe plants
One of the dangers of using a torch for your job is that you’re at the risk of burning yourself. Which I did last week, pretty spectacularly, with a ring of hot steel. And that was the moment where I realized that my growing plant collection really, really needed an aloe plant.
your face doesn’t need facetune
Yesterday, I got served an ad for the facetune app, and frankly, I was horrified. Not only can you remove blemishes and smooth out your skin, but you can literally change the shape of your facial features. All, so the app claims, your seflies can get more likes.
Since I’ve been photographing my jewelry more on myself, and posting more images of myself (without makeup), I’ve also been thinking about the faces we’re used to seeing online and in the media.
We’ve been told for years to take the images we see with a grain of salt, because literally everyone famous has been airbrushed or photoshopped. But now, thanks to technology, you don’t have to be famous to get the smoothing treatment. You can literally smooth and alter the shape of your face, all with the swipe of an app.
Lately, I’ve been following more people in the body positive community online, and the Militant Baker recently shared a post about the importance of changing our media diet by following more people with diverse body types. I think the same needs to be true for faces.
Because if all we see online are perfectly facetuned faces, it can only make us more critical of the actual faces (ours and others) we come across in our everyday lives.
So here’s my face, as it is. No makeup (except for lipstick), under eye circles, pores, and a zit I forgot to photoshop out.
Oh yeah, and a new Contra Necklace with a gorgeous stone I’m obsessed with. (And that’s available in my online store!) Because I’m trying this radical thing where I assume that real people (not smoothed out selfies) wear my jewelry, and I’m photographing it accordingly.
does wearing only lipstick count as a #nomakeupselfie?
Anyone who knows me knows I rarely wear makeup.
This is partly out of laziness (I don’t like to take the time to put it on, and I NEVER take the time to take it off) and partly out of principle. (I’m convinced that I’ve never had major acne because I almost never wear makeup. I realize this isn’t true for everyone, but it does seem to be true for me.)
And after reading an article on Man Repeller, about why founder Leandra Medine doesn’t wear makeup, I felt even more justified in my decision to spend most days with a bare face.
Still, I had one hangup.
I always felt self-conscious posting selfies (or other images of myself) to social media unless I was wearing makeup.
This might seem like a small problem, but as a jewelry designer, posting selfies wearing my own work is a pretty valid form of marketing. (And one that my audience on Instagram responds positively to.) And since I almost never wear makeup, I almost never felt comfortable posting pictures of myself.
Friends suggested strategies for getting around this, like taking lots of pictures of myself on the rare occasions I was wearing makeup (like participating in a webinar or teaching on Creative Live) so I would have a stock of images to post later. But somehow, that never seemed to work out.
I needed a different solution.
As someone who is completely comfortable going without makeup in her everyday life, I needed to get comfortable taking (and sharing) pictures of myself without makeup.
For some people, this might not seem like a big deal. But the truth is that I’ve never liked pictures of myself. I’ve always struggled to take a good picture. The fact that I’m totally talkative means I’m usually the girl in group pics with her eyes closed and her mouth half open.
And decades of taking bad photos has left me feeling awkward and uncomfortable when anyone tries to take my picture. (Which is never a recipe for a successful photo.)
I didn’t even hire a professional photographer for my wedding, because I refused to pay for pictures of myself that I knew I would hate.
But recently, I discovered something that would change the way I viewed pictures of myself entirely.
The bold lip.
Now, I’m no stranger to the bold lip. Even though I almost never wear makeup, I’ve become a fan of the bold lip ever since the makeup artist at Creative Live gave me one a few years ago.
But, since lips are typically the last step in any makeup application, I always thought the transformative power of the bold lip worked hand in hand with the rest of my makeup.
Yes, I knew that a bold lip woke up my face, but I always assumed it did so in tandem with mascara, eyeliner, and the all important concealer covering my pesky (and hereditary) under eye circles.
Then a few weeks ago, I was photographing some new necklaces. While I often employ a model to showcase how my jewelry looks while being worn, I’ve been photographing more of my one of a kind Contra Collection pieces on myself, purely out of convenience.
While I typically go for a close crop in these photos, I realized the best way to get the shot I needed was to include my lips in the frame. After noticing my plain, dry lips were doing nothing for the shot, I quickly threw on some red lipstick.
And the results were magical.
There was my face, instantly alive and bright, without the need for any other makeup.
Within a matter of weeks, I’ve gone from a person who never liked pictures of myself to a person who has posted multiple selfies on Instagram, with a completely bare face!
Now, I don’t know if wearing lipstick means I can technically count these as #nomakeupselfies, but the truth is, it doesn’t really matter.
Putting on lipstick (especially when combined with one of my signature statement necklaces) has given me the confidence to share pictures of myself without any other makeup, which is the way I normally exist in the world.
More importantly, the simple act of putting on lipstick has let me start to see myself in pictures the way others see me. As a beautiful, confident woman who doesn’t need to conceal her (perceived) flaws.
Which, even with lipstick, is really what a #nomakeupselfie is truly about.
the struggle between to-do lists and new ideas
One of the biggest challenges of running a creative business has got to be finding the balance between a never-ending to-do list and time to execute new ideas. (Because as a creative person, I’ve always got so many new ideas!) And as I learned when I posted this to my Instagram last night, I’m not the only creative biz owner who feels that way.
Usually, I’m pretty good at carving out time for new ideas, but this summer, I really overcommitted myself. I’m looking forward to a little more time for creative projects as the summer winds down. Tops on my list are a big stack of books to be read, more time to experiment with creative ways to photograph my jewelry (like the image above), and making a new batch of Contra Collection rings. (Since I’m pretty much sold out of size 7 and 7.5!)
PS. The ring in the above image is available now in my online store. (Or you can join my mailing list to be the first to know when a new batch of rings is available!)
Be somebody’s Ann Perkins.
Anyone who knows me knows that I’m a huge Parks and Rec fan. Growing up, I basically was Leslie Knope. And if I hadn’t gone into art, I definitely would have gone into government. (Ok, let’s be honest. There’s still a chance of that happening. When I turned 35 last year, I celebrated it as my presidential birthday.)
And while I identify most with Leslie, I feel so strongly towards many of the characters on Parks and Rec. However, there was one character that I never really got. Ann Perkins. I never really thought much about her, and truthfully, it didn’t really bother me when she left the show. (Other than being sad that Leslie was sad, of course.)
But all that changed in the aftermath of the election. As I watched so many of my friends turn to despair, I felt the need to rewatch the Recall Vote episode of the show. In that episode, Ann and Ben form the “Leslie Knope Emotional Support Task Force” with the goal of helping Leslie get through the recall vote. And after Leslie loses and Ben fails at his job (almost letting Leslie get a tattoo), Ann is the one there to remind Leslie of what makes her great and motivate her to get working again.
And for the first time, I truly understood the point of Ann’s character.
There’s no shortage of products floating around the Internet with the phrase “Be the Leslie Knope of whatever you do.” But in the days after the election, as I watched the passionate, driven women I admired falter, I came up with a new rallying cry.
“If you can’t be the Leslie Knope of whatever you do, then be somebody’s Ann Perkins.”
And for the next few days, I ran around the Internet trying to be the best emotional cheerleader I could be. I left comments, hearts, and fist bumps on Instagram. I wrote emails and tried to motivate others as best I could.
In that moment, I realized that the Leslie Knopes of the world (myself included) need an Ann Perkins to pick them up from time to time. And so I tried my best to be everybody’s Ann Perkins.
Which is why it gave me all the feels when Jill shared this blog post about the impact of my email in the days after the election. Jill took my call to arms about the importance of teaching art to heart, and started teaching workshops making fabric banners. Inspired by a how-to on creating protest banners, Jill realized that making fabric banners was a simple yet powerful way to unlock others creativity.
As weeks slid into months after the election, I had almost forgotten my mission to be somebody’s Ann Perkins. As I found my footing, I reverted back to my more typical Leslie Knope self. But Jill’s blog post reminded me of my mission to be somebody’s Ann Perkins and actually made me feel like, if only for one person, mission accomplished.
what’s your workout why?
The other night, I was channel surfing and I came across the season premier of the Biggest Loser. I’m an on again, off again fan of the show, and I hadn’t realized the new season had started.
In the scene I caught, Jillian is working out her team and reminds them to remember their WHY.
My first thought was, I guess the fitness community has finally discovered Simon Sinek.
But my second thought turned to my own fitness habits.
Because this year, my exercise regimen has been as on again, off again as my Biggest Loser fandom. And this despite my goal to bike a century this year. (Clearly, that isn’t happening.)
My fitful relationship with exercise this year has included a brief stint riding my bike inside on the trainer (derailed by boredom), a run/walk program this spring (sidelined by a hip injury), and a few solid weeks of swimming laps (interrupted by my travel schedule.)
But this week, I made a new commitment with myself.
I am going to WALK.
Five days a week, for at least thirty minutes.
And I think this one might stick.
Why? Because, without realizing it at first (but made super clear thanks to Jillian), my walking plan is fueled by a strong WHY.
You see, I’ve decided to make walking a regular part of my routine to make it easier to do what I really love.
Which is traveling.
And more specifically, city traveling.
Making a commitment to walking isn’t about losing weight or training for a specific event.
It’s about building city stamina.
(Something that is rather difficult to maintain when you live in the country, believe it or not.)
Perhaps it’s because I’m a city mouse who lives in the country, but I’m happy whenever I’m in a city, regardless of whether it’s one I’ve been to a million times or one I’m exploring for the first time.
But I know I could be happier.
Whether it’s trucking through the airport to catch a flight, exploring a new city, browsing a museum, or just walking my favorite city, I want to have the energy and stamina to enjoy myself to the fullest.
So when my alarm goes off to remind me to go for a walk each day (yes, I set an alarm in my phone to remind me to stop walking and go for a walk) I’ll picture Manhattan. Or Paris. Or that weird tunnel at the Detroit airport that I have to walk through to make my connection.
And I’ll happily head out the door.
Because now my workout has a purpose that completely aligns with my priorities in life.
And that’s a pretty powerful motivator.
What about you? Does your workout have a WHY?
across the universe
I went to college in the early 2000s, when it was totally cool to make mix CDs. (This was between the eras of mix tapes and iPod playlists.)
Most of my mix CDs were labeled simply with the date I created them. A record not of any theme, but of my likes at a brief moment of time.
I remember one such CD, dated April 2002, the month my grandfather died. It was a yellow CD, and in my head, that was what I called it. “The Yellow CD.” As if it were a real album.
In this case, yellow was the color of my sadness, and the songs reflected my grief as I processed my first real experience of the death of a loved one.
Creating mix CDs was a habit my mother and I shared. Music was always important to her, and to us growing up, but once she learned to work a CD burner, music became a powerful tool for expression. Mix CDs were used to commemorate milestones, express an opinion, or share her feelings with someone.
A few months after my mom’s death, I pulled out many of the mix CDs she had made me, opened a beer, and sat on the floor of our guest room, crying and laughing my way through these precious gifts from my mother.
Music has this incredible power to transport us back to another time and place.
I was sitting in a Starbucks the other day when “Across the Universe” started to play. Suddenly, I was transported back to my college apartment, lying on my bed, listening to The Yellow CD in the weeks following my grandfather’s death.
I could see that yellow CD, as brilliantly as if it had jumped off the yellow page (don’t you love synchronicity) that was open in the book I was reading.
But as I listened to that song, I was also transported forward. I could see a painting so clearly in my mind. Yellow as the color of my grief. A whole universe of emotion, contained on one canvas.
And so I went home and started to paint:
“Across the Universe”
Acrylic on canvas
20″ x 24″
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